Puzzle Quest Capture Solutions via GameFAQ’s.

The Lyle in Cube Sector Map, click for a larger version. Via Speed Demos Archive Forums by LLCoodDave

It’s still amazing to see Rodger Clemens still pitching.

And for those of you who havn’t seen it yet: I present the 10th inning of the 1986 World Series – as recreated in RBI Baseball by a dedicated fan.

An * denotes a movie I’ve seen.

*”2001: A Space Odyssey” (1968) Stanley Kubrick
“The 400 Blows” (1959) Francois Truffaut
“8 1/2″ (1963) Federico Fellini
“Aguirre, the Wrath of God” (1972) Werner Herzog
*”Alien” (1979) Ridley Scott
*”All About Eve” (1950) Joseph L. Mankiewicz
“Annie Hall” (1977) Woody Allen
*”Apocalypse Now” (1979) Francis Ford Coppola*
*”Bambi” (1942) Disney
“The Battleship Potemkin” (1925) Sergei Eisenstein
“The Best Years of Our Lives” (1946) William Wyler
“The Big Red One” (1980) Samuel Fuller
“The Bicycle Thief” (1949) Vittorio De Sica
“The Big Sleep” (1946) Howard Hawks
*”Blade Runner” (1982) Ridley Scott
“Blowup” (1966) Michelangelo Antonioni
“Blue Velvet” (1986) David Lynch
“Bonnie and Clyde” (1967) Arthur Penn
“Breathless” (1959 Jean-Luc Godard
*”Bringing Up Baby” (1938) Howard Hawks
“Carrie” (1975) Brian DePalma
*”Casablanca” (1942) Michael Curtiz
“Un Chien Andalou” (1928) Luis Bunuel & Salvador Dali
“Children of Paradise” / “Les Enfants du Paradis” (1945) Marcel Carne
“Chinatown” (1974) Roman Polanski
*”Citizen Kane” (1941) Orson Welles
*”A Clockwork Orange” (1971) Stanley Kubrick
“The Crying Game” (1992) Neil Jordan
“The Day the Earth Stood Still” (1951) Robert Wise
“Days of Heaven” (1978) Terence Malick
“Dirty Harry” (1971) Don Siegel
“The Discreet Charm of the Bourgeoisie” (1972) Luis Bunuel
“Do the Right Thing” (1989 Spike Lee
“La Dolce Vita” (1960) Federico Fellini
“Double Indemnity” (1944) Billy Wilder
*”Dr. Strangelove” (1964) Stanley Kubrick
“Duck Soup” (1933) Leo McCarey
*”E.T. — The Extra-Terrestrial” (1982) Steven Spielberg
“Easy Rider” (1969) Dennis Hopper
*”The Empire Strikes Back” (1980) Irvin Kershner
“The Exorcist” (1973) William Friedkin
*”Fargo” (1995) Joel & Ethan Coen
*”Fight Club” (1999) David Fincher
“Frankenstein” (1931) James Whale
“The General” (1927) Buster Keaton & Clyde Bruckman
*”The Godfather,” “The Godfather, Part II” (1972, 1974) Francis Ford Coppola
*”Gone With the Wind” (1939) Victor Fleming
“GoodFellas” (1990) Martin Scorsese
*”The Graduate” (1967) Mike Nichols
“Halloween” (1978) John Carpenter
*”A Hard Day’s Night” (1964) Richard Lester
“Intolerance” (1916) D.W. Griffith
“It’s a Gift” (1934) Norman Z. McLeod
*”It’s a Wonderful Life” (1946) Frank Capra
*”Jaws” (1975) Steven Spielberg
“The Lady Eve” (1941) Preston Sturges
*”Lawrence of Arabia” (1962) David Lean
“M” (1931) Fritz Lang
*”Mad Max 2″ / “The Road Warrior” (1981) George Miller
“The Maltese Falcon” (1941) John Huston
“The Manchurian Candidate” (1962) John Frankenheimer
*”Metropolis” (1926) Fritz Lang
“Modern Times” (1936) Charles Chaplin
*”Monty Python and the Holy Grail” (1975) Terry Jones & Terry Gilliam
“Nashville” (1975) Robert Altman
“The Night of the Hunter” (1955) Charles Laughton
“Night of the Living Dead” (1968) George Romero
*”North by Northwest” (1959) Alfred Hitchcock
“Nosferatu” (1922) F.W. Murnau
“On the Waterfront” (1954) Elia Kazan
“Once Upon a Time in the West” (1968) Sergio Leone
“Out of the Past” (1947) Jacques Tournier
“Persona” (1966) Ingmar Bergman
“Pink Flamingos” (1972) John Waters
*”Psycho” (1960) Alfred Hitchcock
*”Pulp Fiction” (1994) Quentin Tarantino
*”Rashomon” (1950) Akira Kurosawa
*”Rear Window” (1954) Alfred Hitchcock
“Rebel Without a Cause” (1955) Nicholas Ray
“Red River” (1948) Howard Hawks
“Repulsion” (1965) Roman Polanski
“The Rules of the Game” (1939) Jean Renoir
“Scarface” (1932) Howard Hawks
“The Scarlet Empress” (1934) Josef von Sternberg
*”Schindler’s List” (1993) Steven Spielberg
“The Searchers” (1956) John Ford
*”The Seven Samurai” (1954) Akira Kurosawa
*”Singin’ in the Rain” (1952) Stanley Donen & Gene Kelly
“Some Like It Hot” (1959) Billy Wilder
“A Star Is Born” (1954) George Cukor
“A Streetcar Named Desire” (1951) Elia Kazan
“Sunset Boulevard” (1950) Billy Wilder
“Taxi Driver” (1976) Martin Scorsese
“The Third Man” (1949) Carol Reed
“Tokyo Story” (1953) Yasujiro Ozu
“Touch of Evil” (1958) Orson Welles
“The Treasure of the Sierra Madre” (1948) John Huston
“Trouble in Paradise” (1932) Ernst Lubitsch
“Vertigo” (1958) Alfred Hitchcock
“West Side Story” (1961) Jerome Robbins/Robert Wise
“The Wild Bunch” (1969) Sam Peckinpah
*”The Wizard of Oz” (1939) Victor Fleming

By my count 34 of 102. I’ve got a bit of work to do.

I can’t say I’m not surprised. With their brick and mortar stores requiring upkeep, and the fact that DVD’s are so cheap and easy to just buy, or easy to get through a service like Netflix it makes their storefronts the domain of people who need to get a movie tonight, and only really want the latest releases.

On a side note, the success of DVD was due in large part to the low price and extra features it offered. I think the movie studios are going to have a much harder time selling the “HD” revolution to the people. If the price point is not there like it was for DVD, it’s not going to sell, or at least it won’t until more people can take advantage of it. Most people still only have a normal TV that is not going to take advantage of the HD content. This technology sticking point will be it’s biggest stumbling block, as they can’t get the prices down from mass production, is there is only a niche market of movie and tech buff’s buying it.

I saw an article saying that the HD-DVD vs. Blu-Ray will be decided in large part by gamers, due to the differing support by the XBOX 360 and the Playstation 3. In reality, I don’t see most people who by either of the systems being that concerned with the HD support, because they won’t have the technology in their TV to take advantage of it. Prices are coming down, and people are looking to upgrade their TV’s for sure, but in large part, most people don’t want to get a new TV just to play games and play movies when their current TV could do it just fine. It will be interesting to watch. Don’t get me wrong. I want the HD TV’s and the content that comes with them, but I’m definitely not a typical “Best Buy” type consumer.

I thought it might be a hard sell to Jess, but I think her friends at work did a better job of selling her on it than I ever could have. So we signed up a few months ago. Started a queue, and now with 50 movies or so in it and more that could be tossed in, it’s great.

It’s been a great way to pick up older classics (Hitchcock, Kirosawa), foreign and fun newer movies. Not to make this a cheesy ad for Netflix, but I like the ability to find obscure movies and keep them until I actually have a chance to watch them (I have had Kirosawa’s Rashamon for a month and a half now).

- William Gibson is back and blogging. For those who don’t know who he is, I posted about him a couple of months ago. He used to blog and stopped because it interfered with his writing process. Apparently he’s back at it though.

– Here we have a comparison of all of the changes Lucas made to the new versions of Star Wars on DVD. Some I’m happy with, but still I’ll never believe that Greedo shot first. Read the article for insite.

- Now this is good: supposed query letters from actuall scriptwriters looking to get their “idea” made. Priceless.

M. Night Shyamalan’s movies are best seen the first time with little pre-knowledge going into them. Then they reward you with repeated viewings with little hints and clues that make the movie still enjoyable to watch. Another way to put it, Shyamalan rewards you for paying attention. Little small things, but they add up.

The Village though. Good and bad. I like the movie. It places second right now my personal list of his movies (with Unbreakable being the first). Good things: beautifuly shot, the pacing was great, pulled great performances out of his actors, and made for some great suspense. Bad things: I’m all for period pieces, but the dialect pulled me out of the movie too much, and I felt like it was too forced to be genuine, also he seems to be not as sublte with his “twist” endings anymore but lays it on heavy so you can’t miss it. Then again, I know that some people didn’t see it coming and were very suprised as to the twist.

Anyways, go see it. Bring your significant other. It’ll be fun.

Jimmy Stewart has always been a favorite actor of mine. The guy who never quite gets “it” but you are always rooting for him. Stewart was by far the best part of the film. Katharine Hepburn on the other hand tends to annoy me in movies. I don’t see her as belivable or credible as a character at all, but that’s flowed over into other movies of her’s as well (i.e. The African Queen). The rest of the supporting cast and Carey Grant did an excellent job.

When I see lists of old movies and hear about how good they are, I tend to not really belive that they are that good. Maybe it’s that I don’t think that some 60 year old movie can really hold me the way a more modern movie can. I’ve been finding that pleasantly wrong. With my wife I’ve been starting to buy and watch older movies like “All About Eve” and “Funny Face”. These movies entertain, without having to resort to blowing up a building. The feelings and emotions carry the same weight all these years later.

Problem is I want to start buying them left and right. With the Criterion Collection and the Fox Studio Classics, and their infernal numbering system that makes you want to have a complete set, and other major studio releases of Hitchcock classics and other director and star driven movies of old, I’m on a classic movie kick. Nice part is, I can somewhat justify getting the movies from time to time, with the wife loving them already, she’ll want to own them, right?

Putting aside any similarity to another fish movie, it made clear to me again the differences in Dreamwork’s style of animated film and Pixar’s style.

Take the advertising for Shrek: “Hey we have this animated movie, with Eddie Murphy, Mike Meyers and Cameron Diaz playing the lead roles, and by the way there is a story somewhere in there.”
Then you have Monster’s Inc: “Hey we have this great story with monsters in the closets, and oh yea, by the way Billy Crystal is playing one of the characters.”

Completly different marketing stratagies, and also different goals as a movie.

Dreamworks has it’s focus on it’s talent that it brings into it’s movies. It wants the stars names to drive you to see it. Go for the stars, and it’s a bonus that the movie might be good. Pixar on the other hand is so story driven that it’s the characters that matter much more than the actor that plays them. Not to say they don’t get top rate talent, and that they don’t push them, but for an example see the latest trailer for “The Incredibles,” the latest Pixar movie coming soon. Do ever really get to see who is actually playing these characters? No, it’s focus is on the creators of these great stories that you remember, and the quirky new one they have created, not Will Smith as a fish!

This isn’t to say that I don’t like Shrek. It was a fun movie, and I will probably watch it again someday. Sure I’ll also see Shrek 2 and possibly even this new Shark Tale movie. For me, at the end of the day I care more about what happens in Pixar movies and where the characters end up when the movie is over. For some people, it’s different, and that is why Dreamwork’s movies do so well in the market.